Where's the postbox?
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Illustrating the latter, the leading men are as haunting as they are amusing. McKellen's withered but still-mischievous Estragon watches as his companion's ludicrous faith is repeatedly tested. By the time the other duo makes its second and final appearance - the flamboyant bravado of Hensley's Pozzo now broken - the spryness of Stewart's Vladimir is fading to a sort of desperate defiance, inspiring a moving tenderness in his partner.